每一秒叙事都既沉浸又超脱，每一个场景都既关乎表象，又关乎这背后的某种理念、象征。理性的因果律被压缩到最低，剩下的只是人性之恶的肆意展现。所有的运动镜头、电子音、场景与演员调度皆是陈情令的表现形式，一种“邪恶”的电影就此诞生。"I can't tell you about it. I have to dance it out."
Bilingualism (Wolof and French) Biculturalism (Africa/Europe)；multi-dimensional figures ； haunted by the repressive colonial past and the onslaught of globalization in Africa；“The extraordinary satire of these corrupt classes…is explicitly marked as the failure of the independence movement to develop into a general social revolution” ；National autonomy was the only conceivable goal; “social regeneration which has not yet found its agent”; Impotence as metaphor forlack of external control by independent Senegal.
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